Tuesday, May 23, 2017

Hyunwoo Ha, the reason why he loves Haechul Shin

This is an article that is based on an interview with Hyunwoo Ha, who talks about late Haechul Shin, aka Crom. There is a fund raising site in Korea for Haechul Shin, which is currently raising funds to open an exhibition and support the productions of arts in memory of Shin. The long term goal is to build a space to keep a record on Shin’s works and footsteps.

Original link - https://storyfunding.daum.net/episode/22735
(Article translated by Guckkasten-English)


Hyunwoo Ha, the reason why he loves Haechul Shin
Article date: 24 May 2017

The below is the contents of interview with Hyunwoo Ha, which has been arranged by the music critic, Soontahk Bae. During the interview, Hyunwoo used formal terms when he indicated the late artist to show his respect, but we have just used ‘Haechul (Shin)’ in this article for the smooth flow of the contents.

Arrangement: Soontahk Bae (Music critic, writer for ‘Music Camp’, a radio program with Chulsoo Bae as the DJ)
Interviewee: Hyunwoo Ha (Vocal and guitar of Guckkasten)


It started since I was in primary school. I came across the song ‘Urbanite’ by N.EX.T (abbreviation for ‘New Experiment Team’) from a compilation of pop music cassette tape, and I found myself lost in the world of Haechul Shin and his music after listening to this song. The song was, first and foremost, so interesting, unique, and wonderful. The lyrics just portrayed the life of urbanites.



“To me, N.EX.T was the only band like this”

I also liked songs that were fully sensitive. I remember listening to songs like ‘Knight for the doll’ and ‘Fly, little chick’ many times. I admired and envied the charisma of Haechul Shin most of all.

Well.. as far as I know, there were no other rock bands that were as energetic and powerful as N.EX.T in Korea. They were visually stunning, and just downright awesome. To me, N.EX.T was the only band like this. I, of course, sang lots and lots of songs by Haechul in singing rooms. I also copied and played his music when I in a school band, and I shared N.EX.T’s concert video tapes with my friends.

I find it such a shame that I had no personal connections with Haechul. I am well aware that he said Guckkasten should release their new album as soon as possible when he was still of this world. I saw him a few times at the backstage of concerts, but I could not approach him as he was such a big musician and also someone I admired so much. I just watched him with huge respect. I often heard that he spoke highly of Guckkaten. I can only say that I am deeply grateful for this.

Although I had no personal connection, one of my friends in this music industry was quite close with Haechul. I remember that he suggested a little get-together.

“It would be perfect to meet him when we release our 2nd album. He said we should release this ASAP, so we will make a good impression then.”

However, he passed away just a few weeks before we released our album, so we could not give it to him in person. I had not met him properly while he was in this world.


image source - http://gall.dcinside.com/board/view/?id=guckkasten&no=503246


“I really wanted to sing this song”

I think I sang ‘Lazenca, Save Us’ the most when I went to singing rooms. ‘Invitation to daily life’ was the song that I enjoyed the most when listening.  As for ‘Dream of a freshwater eel’, the staffs of <King of the Masked Singers> tried to talk me out of singing it on stage. It was because although the song is a masterpiece, it may not have advantage in the tournament as the song does not have a climax point.

But I really wanted to sing this song no matter what. I remembered that the late artist had mentioned ‘this song will resonate my funeral’, and this song was indeed being played when I went to his funeral. Therefore I sang this song earnestly to cherish the memory of him.

I also wanted to sing ‘Here, I stand for you’. But I thought ‘if I sing too many of his songs, I could be bringing unnecessary troubles to the deceased’, so I didn’t sing in the end. I sang impromptu of this song when I was shooting for ‘My Little Television’ and I was amazed at myself for remembering all of the lyrics. It was an awakening moment of realizing that I truly adored his music



"I always endeavored to be like him."

The reason why I love his music is because it has every ideal musical element that I pursue. The lyrics, the messages, the experimental sources, and above all, the prominent mass appeal. Haechul Shin was the musician that covered every aspect, and at the same time, his performance and visuals were outstanding.

I always endeavored to be like him, and I tried to ponder his musical aspects continuously and use them as a foundation. I wish the artist’s music and message, and most all, his ideas and values would maintain it vitality and be inherited for ages long.

 

Tuesday, May 16, 2017

Gribouill’s appeal

This is a post that Hyunwoo’s friend wrote at Cyworld Club. (Translation by Guckkasten-English).
Original source: http://club.cyworld.com/52172895115/75110363

Gribouill’s appeal
Written by Jaewan Lim (14 Oct 2007 06:47)

Shameless and simple… Hyunwoo’s quotes


(1) Today’s quotes

Rrrrrrring~

Jaewan(J): Whatcha doin’? Why’d ya call yesterday~
(skip)
J: Where are you?
Hyunwoo(H): I’m just out of Ansan for a day~
J: You meeting your girlfriend?
H: Yep
J: Lucky you, I’m caught up working
H: You jealous? Just be handsome like me~

Cheeky shameless Hyunwoo who resembles Munch’s ‘The Scream’ with some Jaesuk Yoo plus Chicken Little in reality…

For your convenience, I've attached the 3 pictures that Jaewan said Hyunwoo looks like...

 
BTW, Hyunwoo looked like this in 2007 (picture from: http://sopfa20.tistory.com/29 )


(2) Hyunwoo’s special way of getting free food

Just go into any diners and ask… “Ma’am, do you have any leftovers?”
The important point here is to ask for “leftovers” only and not “food”.

“Wait a second~” the waitress would say and will ask the owner.
When this happens, there is more than 80% that you would be served a free meal.

He said that this is in most cases..

But if they respond “No, we don’t~” then the chances of getting free food would drop way down below 50%..

His tip for increasing the success level is that you will need to limp a bit when you are walking in…
and he deliberately doesn’t shave or shower for several days.

He would carry a huge bag on his back on purpose… and he would ‘decorate’ his bag by hanging a big water bottle on the side, letting it dangle to and fro.
  

(3) Hyunwoo’s way of living his life
  
“Jaewan, when you are living your life, just let go of your ego, and all will be easy…”

He would beg for some money from a stranger passing by, saying “excuse me sir, I’m really starving.. could you please spare me some changes~” with a pitiful face…

And 8 or 9 out of 10, he would get some money for food..


(4) When Hyunwoo came to my room...

H: Hey, do you use this room all by yourself?
J: Yep~
H: I’m gonna crash here for a while before I go. Ah, right, I don’t have any fares to go back to Gangwondo. Then I’ll just live here!! Hehehehe


(5) Few days ago

J: Hyunwoo, what’s your favorite food in the entire world?
H: Me? Jajangmyun! (Note: “Jajangmyun” is a Korean style of Chinese noodle, which is made with thick black soybean sauce)
J: There are lots of other tasty things. Why do you like jajangmyun the best?
H: I just like jajangmyun the best, it’s the most delicious food!!
J: When I become successful, I’ll treat you lots with things yummier than jajangmyun.
H: Treat me with jajangmyun now when you’re not successful
J: Hahahaha okay, I will
H: (without missing a beat) When??


(6) Few days ago 2

At my place.. Hyunwoo, Jung-gil, Jin-uk, Jaewan, sitting together.

We were watching some few cuts from ‘Violet Wand’ music video..
Lost in his own actions...
He said..

"Wow, really, come on..... what would this band do without me?~"
   

Hyunwoo Ha, he is all or nothing..
A successful musician, or a beggar, or an ascetic

May be 10 years later, somewhere in Taeback Moutains of Gangwondo… He might be practicing levitation with Gyuho........


And Hyunwoo left a comment on this post as below.

Gribouill: Wow... what’s amazing is.... how do you remember all this??? Great stuff hahaha (14 Oct 07 14:49)

Sunday, May 7, 2017

Translation of Hyunwoo's article for Mint Paper

Mint Paper December's POTM (People of the Month): Guckkasten - Album production story from Hyunwoo Ha

Original post: https://www.mintpaper.co.kr/2010/12/potm_1012_2/

Guckkasten, POTM of Mint Paper's December edition.
We have prepared the behind story of Guckkasten's EP [Tagträume] that was released on 7th December.
Shall we begin the album production story directly from Hyunwoo Ha, the vocal of Guckkasten?






Hi Everyone.
We made an EP called [Tagträume].
Actually, we had planned to release our official 2nd album right after releasing our 1st Re-Recording [Guckkasten] album.
Frankly speaking, about 9 songs are made and we were continuously designing and producing our works, but as we needed more time to fine-tune our album, we decided to produce a single with 'Scarlet Field', and 'Manicure', which we had recorded together with our 1st Re-Recording album.
However, as we were preparing to produce the single, another desire had ignited and we started making variations of 'Scarlet Field', and 'Manicure', in acoustic and electronic versions, respectively.
This album, which we began working rather light heartedly, had ignited into a burning hot album with our endless desires.

1. July 2010: Music Video
I discussed the video for EP with my friend, Jaewan Lim, who is a music video director and a former vocal of a band called "Mookhyang".
He who can make exceptional videos at a very low cost tells me.
"I'm getting married."
I tell him.
"I'll be your wedding singer. Make me a music video, pronto."

2. August 2010: Filming of ‘Manicure’ music video
We wore a mask but as it was too hot our annoyance clouded heaven and earth.


The good ol' memories of all of us suffering without getting much sleep are popping up again.
It was an abandoned factory at Ansung and it was just dirty and shabby enough to our taste, so all good.




3. October 2010: Moving of personal working studio
We moved our working studio while we were making this EP.
Kibang(Kibum Kim)and I use this studio, and two is the max it can occupy. There are no spare seats.
This place is about 6.6m2 in size and it is much like 'goshiwon* for performers', and so the work efficiency is beyond imagination.
And this place even has heated floors. It also has an air-conditioner on the wall.
(*A goshiwon is a very small room that people rent to study for an important exam. Some people use goshiwon to stay if their residence is far from their schools and/or working place.)




4. October 2010: ‘Scarlet Field’ Acoustic Live Performance @ GMF2010
Premier of 'Scarlet Field' acoustic live performance.
It included tap dance and Tapper-J (Eun-Sung Jee), a friend that stubbornly pursued tap dance for a very long time at Hongdae playground, has participated in the performance.
“Thank you so very much, Eun-Sung.”
A cool dude. Because he participated in Guckkasten's album.



5. Mid September 2010: Instrumental song
We have 4 songs. We made a variation and we have a totally different songs and they are just awesome.
'This is not a single. Let's just make this as an EP! Then maybe one more song would complete it.
We spoke too much in these four songs, so let's sing without words.'
Hence came the instrumental song ‘Tagträume’
This word, which means 'day dream', has a charming story of images appearing as if dreaming when one is not dreaming.



6. Late September 2010
We need morin khuur (aka horsehead fiddle, or Mongolian fiddle) for this song.
So I call Junghoon Lee, the vocal of 'Hanumpa' and a morin khuur player.
Hyunwoo (Ha): Hello, dear Junghoon.
Junghoon (Lee): Hey, Hyunwoo. What's up?
Ha: You still have morin khuur, right?
Lee: Huh? Well... yeah... why?
Ha: Where are you?
Lee: I'm a little busy right now
Ha: It'll only take a moment.
...

After recording,
Junghoon's morin khuur skill improved a lot.
Thank you!


7. Early November 2010: Recording studio
Me listening carefully to the recordings with eyes gently closed.
Such a pro.
Umm... was I sleeping?


CEO of Tone Studio, Rock Daesung.
"We are truly sorry for causing so much pain whenever we make an album.
You went home late on your wedding anniversary because of our recording, were you in trouble by your wife?"



8. Mid November 2010: Angel and bird
We need an awesome image for the cover of our album.
So I call Gyu-Seok Choi, the cartoonist and author of 'A bit obscure to cry', and 'Natives of Korea'.
Hyunwoo (Ha): Big bro, we're making an EP and we're wondering if you could draw for us?
Gyu-Seok (Choi): Hmm... what do you need?
Ha: An image of an angel falling into a bird!
Choi: Okay. Don't have your hopes up too high.
Ha: Alright! Yay! Thank you.
Choi: I'll give you my bank account number.
Ha: Excuse me???


9. Mid November 2010: Album design
‘An image for an album will not be good enough. We need a technician.’
So I ask anyone and everyone.
Then I catch one.

“Hey, handsome Jaehoon. It's me.”
“Hey, big bro! What's up?”
“Yeah, why don't we catch up over some meal.”
“Yay!”

And for several days, that little bro looks at me resentfully.
Sorry. (It's 6am now)



10. Late November 2010: Recording for an on-air program
I really hate sitting still doing nothing at a waiting room of a broadcasting studio.


As we are a hard-wording band, we always go on stage although we are working on a new album.
It goes the same for on-air programs, too.
Even in the midst of mixing an album, we bang our heads like this and go back to the recording studio...

  
Guckkasten members, say cheese!
Click.


Kibang: “Bro. Let's go home…”

11. December 2010: EP released. Signing the CDs
We need to sign 100 CDs.
One by one, we sign earnestly.
Absolutely beautiful

  
Whenever I see myself and our band members signing like this from time to time, I think
'So this is what brings us to sing, play, and struggle tenaciously'
and such thought concludes with an exclamation of 'thank heavens'.
I am determined to die singing no matter how nasty this world is.
For what?
For me!


12. 7th December 2010: Release of Guckkasten EP [Tagträume]
The vague dream showed up in scarlet and appeared vividly
What a noble excrement this is!



Mint Paper
Written by Hyunwoo Ha
Photos provided by Guckkasten

Edited by Moon-Hee Jin